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We are in this Ahijadero Valley,
whose name comes from the fact
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that it is the place where
cattle were nursed.
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A very interesting toponym that also
appears in the sources
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from the beginning of the 16th century:
"El gran corral de Los Cristianos."
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I mean, there’s a number of elements
that indicates the importance
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of livestock farming in this territory of
the Menceyato of Abona, where we are.
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As I say, on the border with Adeje.
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Needless to say, livestock farming is the
cornerstone of the island's economy.
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Everything related to livestock farming
is the basis of livelihood, that is,
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meat, milk, fur, etc.
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It's the life of these people.
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It was the suggestion that Tarek Ode
made to me, I think.
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He told me that on Roque del Malpaso, in
the place where the rock carvings are
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and on the points where
the percussion zones are
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to produce sound,
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there is a very
important astral fact.
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Herodotus says that the Libyans
worship the Sun and Moon.
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And in this case, for these cultures,
in this instance from Tenerife.
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But for the rest of the islands,
exactly the same thing happens.
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Therefore, following the guidelines
of the Moon and the Sun
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is fundamental in this case,
because their lives depend on it.
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At the moment the sun rises,
the “Magec”, as the Guanches used to say,
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which has extraordinary importance
in the religious vision of the Guanches.
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That the Sun will fall at a certain point
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in the engravings we are in now.
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We are in a unique place in the
archaeology of Tenerife,
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not only because of the rock carvings
there,
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it is associated with a lithophone,
that is, with large stones that make sounds,
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hence the name lithophone,
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which have a series of perfectly marked
recesses at different points in the rock,
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where they can be struck
by hitting it with a stone,
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producing a sound with
a truly extraordinary variation.
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Note the extraordinary
sound these rocks produce
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in this place where there
were no problems at all
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because it was quiet and could be
heard all throughout the valley.
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And where this would give rise,
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uniting the animals, be they goats
and sheep, with the sound
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that could be produced in these rocks,
to what are called the piacular rites,
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the rites of requesting rain.
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The uniqueness of this site,
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which we discovered together with
Professor Rodrigo de Balbín Berhmann
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in the early 1980s,
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is that it not only gives rise to the
discovery of other rock carvings
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or other rock art in the Valley
itself and on the rest of the island,
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but also, as I say, because
of the uniqueness of something
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we had already verified at the
Luis Cabrera’s Peña in Guatiza,
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in the municipality of Teguise,
on the island of Lanzarote.
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And we can verify this same
archaeological fact with that of Echedo
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on the island of El Hierro and
with another one found in La Gomera,
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which has not been sufficiently publicized.
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The most important thing about
this engraving is the square,
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which is inscribed in this other,
slightly larger shape
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in which, if you look closely,
you can see a series of lines
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that run diagonally, vertically
and horizontally,
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and form a radial shape even though
we are not within a radius,
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in the sense that it is not a circle,
but rather a square.
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And I think this shape is similar to
checkerboards.
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I think they are ways of representing the stars,
be it the Sun, the Moon, but in this case the Sun.
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If we had that same thing
framed in a circle, we could say
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that it is a radiated circle
or an astral circle.
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Which could be partly similar
to a circular one
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that exists in La Degollada de Yeje, in Masca,
in the municipality of Buenavista.
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It is, from my point of view,
the greatest archaeological site
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on the island of Tenerife,
which, along with this one,
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would probably be two of the most
special sites in our archaeology.
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At the point where we are,
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where there is a whitish spot,
a cruciform symbol,
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is the exact place where the first
rays of Sun will apprear
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when we’ll be at the winter solstice,
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between December 20th, 21st or 22nd,
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which is precisely the date
we are in at this place.
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From here, from this marker,
it will extend to the whole set of engravings.
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The Sun with the engravings.
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The Sun in a place where people gather,
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probably to perform those rituals.
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The sun illuminating Igara Mountain,
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where we believe burial sites once existed,
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explains or gives us insight into a worldview
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that has been enriching
archaeology for us in recent years.
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We are located in the south of Tenerife,
at a site known as El Litófono de Malpaso.
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It's December 21st 2021,
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and at sunrise,
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the first rays of morning light
illuminate this part of the site.
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They descend and here
we find a cruciform engraving
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perfectly oriented
north, south, east and west,
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in which sunlight gradually falls,
illuminating the entire set.
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This site is surprising.
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It is composed of an impressive
station of geometric rock engravings.
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A lithophone, which is, a phonolitic rock
that, when struck, produces sound.
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And what we were able to see
today at sunrise is a solstice marker.
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An incised cruciform
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and a perforated surface,
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which has been fully illuminated
along the outside of its edges
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as the Sun has descended.
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The multitude of factors that this
archaeological site has,
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clearly linked to the winter sunrise
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and its cultural connotations for the
indigenous population of Tenerife, is surprising.
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The accuracy of the solstice
marker is truly amazing.
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There we have the Moon
completely aligned with the sunrise.
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And with the engraving.
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It's aligned with everything, with...
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Look at that...
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Incredible...
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We see the lines of the engraving oriented
exactly toward the cardinal points:
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north, south, east, west.
And the sunrise oriented here.
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Well, there are...
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three planets lined up with
the Sun and the solstice rising point.
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Mercury, Venus, Mars and the Sun.
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The cruciform engraving, through which
the first ray of the Sun enters at the winter solstice,
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is perfectly developed in terms
of the four cardinal axes:
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north, south, east and west.
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In that place the Sun
manifests itself in that way,
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and what the Sun is indicating is the change,
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that they could already sense
the rain was coming.
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They foresaw rain.
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What does a sun marker mean
in the context of these cultures?
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Well, it means the only way
these communities have
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to know when the weather
begins to change.
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It is possible then that this place,
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this Roque del Malpaso,
if it is true that this is so,
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perhaps what I explained previously
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about this place being a point
of concentration of cattle
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where they hit rock to produce sound,
where the animals bleated,
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where people could sing and dance
and do rites, as the sources say,
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to bring about rain.
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Perhaps this, again, reinforces this fact,
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which helps these communities know
when they can request rain.
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Rain is not requested in August, rain is
requested when we are at the winter solstice
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and therefore in times
close to the arrival of rain.
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In 2018, while doing a photographic work,
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I was determined to capture this subject
completely illuminated by the Sun.
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It seemed to me that perhaps
on the winter solstice
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the motif would be fully
illuminated by the Sun at dawn,
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but without giving too much
thought to the solstice.
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And much less did I think that
the solstice was going to cover this part there.
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And while I was waiting, I realized that
the pattern wasn't completely covered by the Sun.
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And suddenly, while recording, I see in this
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I see in this cross here
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the first ray of Sun of the winter solstice
entering here in the form of a wedge
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Wow!
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Winter solstice.
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At the Malpaso lithophone, where we are
in Arona.
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I came to see if the engraving,
the big one, would light up.
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And it is...
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starting to light up, first ray.
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Here at this cross here, which is oriented:
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north, south, east and west.
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Incredible.
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This has got to be something.