1 00:00:57,079 --> 00:00:58,360 I know it has to end now. 2 00:00:58,360 --> 00:01:00,840 Of course, it has to end. 3 00:01:00,840 --> 00:01:03,960 It has to end now, it's the best time. 4 00:01:03,960 --> 00:01:05,440 -Of course... -Of course 5 00:01:05,440 --> 00:01:07,719 Beginning of summer... it's perfect 6 00:01:07,880 --> 00:01:08,719 True 7 00:01:12,280 --> 00:01:16,960 The important thing is what I told you about the first day you came. 8 00:01:16,960 --> 00:01:21,519 What I want is to live an experience with the piece. 9 00:01:22,760 --> 00:01:27,400 So we have lived it... what it is like to make the piece, and everything that has happened around the piece... 10 00:01:27,400 --> 00:01:31,320 And... that's the piece. 11 00:01:31,320 --> 00:01:35,320 The piece itself is a physical thing, right? 12 00:01:35,320 --> 00:01:39,119 It is a physical thing, which is made of clay, which will be made of resin and fiberglass. 13 00:01:39,119 --> 00:01:41,719 People will see it, like it or not like it. 14 00:01:41,719 --> 00:01:45,639 But what I keep from the piece is what I have lived with you. 15 00:01:47,519 --> 00:01:53,440 That's it... so we've converted... 16 00:01:56,480 --> 00:01:58,599 Let me tell you... how do I explain it to you... 17 00:01:58,599 --> 00:02:04,159 Something complicated... in something so simple... and so exciting. 18 00:02:04,159 --> 00:02:07,960 That's true, we've made the complicated simple, right? 19 00:02:07,960 --> 00:02:10,480 -Yes -And many people won't understand that. 20 00:02:11,119 --> 00:02:14,320 But the point is not whether people understand it, if they do, great... 21 00:02:14,320 --> 00:02:18,920 if they don't understand it, we don't have to worry either. 22 00:02:18,920 --> 00:02:23,840 When I talk about the relationship I have with you to the people around me... 23 00:02:23,840 --> 00:02:27,679 -...many do not understand it - yes 24 00:02:28,199 --> 00:02:31,880 And another thing I really like is how free we've been. 25 00:02:31,880 --> 00:02:35,840 Yes, we have been free, yes. We have always been free. 26 00:02:35,840 --> 00:02:38,639 And we have absolutely nothing to regret. 27 00:02:38,639 --> 00:02:42,159 - Because I've been very me... I've been very me. -And me too. 28 00:02:42,159 --> 00:02:44,800 - Well, that's the important thing. -That's the beauty of it. 29 00:02:44,800 --> 00:02:46,039 That's the important thing. 30 00:03:40,880 --> 00:03:43,480 Just in case Constanza calls. 31 00:03:44,519 --> 00:03:47,320 There is still an hour and a half until Constanza arrives. 32 00:03:47,320 --> 00:03:49,039 Because he won't be arriving at 6 o'clock. 33 00:04:23,440 --> 00:04:25,960 -Constanza, come in. -Hello. 34 00:04:30,800 --> 00:04:33,559 -How are we? -Well, here we are. 35 00:04:34,440 --> 00:04:36,199 Let 's start. Again. 36 00:04:36,239 --> 00:04:39,039 -I like them. -I don't know... Constanza. They're fine, right? 37 00:04:39,039 --> 00:04:42,000 -Perfect, I'm going to try them on. -Better that than nothing, right? 38 00:04:42,000 --> 00:04:44,840 Why did you say the other day that tan didn't suit me? 39 00:04:44,840 --> 00:04:47,360 I told you your normal skin tone looked better on you. 40 00:04:47,360 --> 00:04:53,199 -Why? -Because... I don't know... brown suits you... 41 00:04:53,199 --> 00:04:57,920 Tanning always looks fake on any body type. Your skin tone is golden. 42 00:04:58,440 --> 00:05:03,400 The tan takes away that genuine thing of yours from your skin. 43 00:05:03,400 --> 00:05:07,519 For example, my skin has changed. When I lived in Lepe, my skin was darker. 44 00:05:07,519 --> 00:05:10,880 -Because the sun was shining on me more. -But you are quite a bit, too, dark-skinned. 45 00:05:10,880 --> 00:05:13,039 But not as much as when I was there. 46 00:05:13,039 --> 00:05:16,000 Well, this is perfect for me, hey... 47 00:05:16,000 --> 00:05:20,320 Constanza give it to me... but... take away the number. 48 00:05:20,320 --> 00:05:22,239 -what? -The number, you left the sticker 49 00:05:22,239 --> 00:05:24,639 Ah... well, sorry, eh. 50 00:05:26,079 --> 00:05:29,719 -You've cleaned, eh... you've swept, I think. -No 51 00:05:29,920 --> 00:05:33,559 -You haven't cleaned the bathroom at all, have you? -No 52 00:05:33,840 --> 00:05:36,280 -Look, come. -Let's see. 53 00:05:37,599 --> 00:05:39,119 But look here you can see the skin better. 54 00:05:39,119 --> 00:05:43,239 Because the light is whiter. Yellow and a little more brown. 55 00:05:43,239 --> 00:05:45,880 -This is your real skin color. -Ah, well it is more pink. 56 00:05:45,880 --> 00:05:49,519 And the hand, the tone of the hand. 57 00:05:49,519 --> 00:05:52,760 It's more orange than mine. Mine is more red. 58 00:05:53,000 --> 00:05:56,920 -I'm going to change. -Aren't you going to leave your... your necklace? 59 00:05:56,920 --> 00:06:00,119 -No, I'll take it off, right? -Better, better for the neck... yes. 60 00:06:00,119 --> 00:06:03,320 -And the earrings too. -Yes, preferible. 61 00:06:03,320 --> 00:06:06,320 It's not necessary, but if you want to take them off, it's better. 62 00:09:01,880 --> 00:09:08,279 It's one arm here and the other here. 63 00:10:15,520 --> 00:10:18,399 -Constanza, come in. -Good morning. 64 00:10:18,399 --> 00:10:21,359 How are you? 65 00:10:21,800 --> 00:10:24,760 We'll leave this here... 66 00:10:32,439 --> 00:10:35,079 Do you mark me first and then measure me? 67 00:10:35,079 --> 00:10:37,319 First I measure you and then I mark you. 68 00:10:37,880 --> 00:10:40,119 You don't need this. 69 00:10:40,720 --> 00:10:42,720 I don't need this? No, I don't need this. 70 00:10:42,720 --> 00:10:44,600 Well we removed it 71 00:10:44,600 --> 00:10:47,840 If you're going to mark first, then no. 72 00:10:50,640 --> 00:10:54,439 Get comfortable, remember the pose. 73 00:10:54,439 --> 00:10:56,760 You have to tilt your hips to the right. 74 00:10:56,760 --> 00:11:00,880 -Right? -There. Exactly. Perfect. 75 00:11:04,680 --> 00:11:08,880 The points are to see the movement that you have to the left. 76 00:11:09,960 --> 00:11:14,159 -If we can do two days a week, better. -Okay 77 00:11:15,720 --> 00:11:19,439 Fifty. Thirty-three. 78 00:11:19,439 --> 00:11:21,119 And forty-three. 79 00:11:26,520 --> 00:11:30,560 -Have you been to Paris? -A lot of things have happened in Paris. 80 00:11:32,359 --> 00:11:37,560 -For the first time Constanza? -Yes, we have seen rats like in Ratatouille. 81 00:11:38,439 --> 00:11:41,159 That 's good. 82 00:11:41,159 --> 00:11:42,760 -Okay, great. -There? 83 00:11:42,760 --> 00:11:44,159 -Yeah 84 00:11:45,119 --> 00:11:49,880 From the impression of the most beautiful things in Paris, that... 85 00:11:49,880 --> 00:11:52,119 The Rodin museum, I really loved it... 86 00:11:52,119 --> 00:11:55,279 The Rodin museum you see... the gates of hell. 87 00:11:55,279 --> 00:11:56,359 Yeah 88 00:11:56,359 --> 00:12:00,920 In front of the gates of hell are the three composite Adams, like this... 89 00:12:01,880 --> 00:12:06,039 You see the fullness of Rodin below, up close. 90 00:12:06,479 --> 00:12:12,520 And if you look up there, the thinker is up there. Above the gates of hell. 91 00:12:13,239 --> 00:12:18,159 But of course, I had always seen the complete viewing of the gates of hell in books. 92 00:12:18,159 --> 00:12:19,600 But when you see it there... 93 00:12:19,840 --> 00:12:27,800 Because Rodin did not work with reason, he worked with the passion of things. 94 00:12:27,800 --> 00:12:34,000 Rodin is described as a realist sculptor, but he isn't a realist sculptor. 95 00:12:34,000 --> 00:12:39,760 He exaggerates everything, he takes everything to the extreme of feeling, of emotion. 96 00:12:39,760 --> 00:12:43,239 That's why it's exciting, it's impossible not to get emotional 97 00:13:18,720 --> 00:13:23,800 -Can you turn off the light from there? -Wait a minute, I forgot something. 98 00:13:48,359 --> 00:13:52,920 Do you see this little slot here? You can see it, right? 99 00:13:52,920 --> 00:13:56,119 That mark here, you can see it, right? Ana, you see it? 100 00:13:56,119 --> 00:14:01,199 This is where the deltoid is born. Go down, down, down. and reaches the middle of the humerus. 101 00:14:01,199 --> 00:14:04,159 Later, what would become the acromion is also born here. 102 00:14:04,159 --> 00:14:06,680 From there it goes down and reaches the humerus. 103 00:14:06,680 --> 00:14:09,840 Then it is born in this change of plane that you see. 104 00:14:09,840 --> 00:14:13,039 From here the deltoid comes down and goes to that place. 105 00:14:13,399 --> 00:14:15,880 This here would be the humerus. 106 00:14:15,880 --> 00:14:19,000 And this here would be the ulna. 107 00:14:20,479 --> 00:14:23,600 If I go from here, to the end of the ulna. 108 00:14:23,600 --> 00:14:27,199 From the head of the ulna, which is the olecranon, to the base of the ulna... 109 00:14:27,199 --> 00:14:29,800 If I take this route, I can see all the bones, right? 110 00:14:30,079 --> 00:14:32,640 The bone is here, exactly, from here to here. 111 00:14:32,640 --> 00:14:34,359 Jose, which is your favorite love movie? 112 00:14:35,039 --> 00:14:37,199 Wild at Heart, by David Lynch. 113 00:14:37,720 --> 00:14:40,479 Nicolas Cage and Laura Dern. 114 00:14:41,119 --> 00:14:41,960 Sailor and Lula. 115 00:14:41,960 --> 00:14:44,199 The movie is about a moron. 116 00:14:44,199 --> 00:14:47,760 A macho and outdated guy 117 00:14:47,760 --> 00:14:52,880 and the relationship he has with a simple and basic girl. 118 00:14:52,880 --> 00:14:54,960 They are both like empty minds. 119 00:14:54,960 --> 00:14:59,439 They are two characters who don't have... let's say much brain. 120 00:14:59,439 --> 00:15:02,439 But they are in love. Completely in love. 121 00:15:02,439 --> 00:15:06,239 When people fall in love, it doesn't matter if they are intelligent, stupid, or clever. 122 00:15:06,239 --> 00:15:08,760 whether they are tall or short. We fall in love and that's it, right? 123 00:15:08,760 --> 00:15:15,319 So the film plays that game. It talks about that. About true love between two people above everything else. 124 00:15:15,640 --> 00:15:18,199 -Have you seen "Back to the Future"? -Yes of course. 125 00:15:18,199 --> 00:15:24,279 The director went to see his mother and then asked himself a question 126 00:15:24,279 --> 00:15:27,479 What would it be like if I had met my mother when we were the same age? 127 00:15:27,479 --> 00:15:29,880 and then that's where the whole movie came from. 128 00:15:29,880 --> 00:15:33,720 Well, I wonder a lot about you, if we would have gotten along at the same age. 129 00:15:33,720 --> 00:15:37,000 But I'm still the same, I haven't changed. 130 00:15:37,000 --> 00:15:44,279 At my current age, I still feel things the same way but more calmly. 131 00:15:44,279 --> 00:15:48,359 Obviously, at twenty-two years old I hadn't had many experiences. 132 00:15:48,359 --> 00:15:54,359 Everything I was when I was twenty-two, I am now, but logically at my age. 133 00:15:54,359 --> 00:15:56,439 But thirty years have passed. 134 00:15:56,439 --> 00:16:00,319 When you go through the experience and through the years, and your readings 135 00:16:00,319 --> 00:16:03,760 for your disappointments and for your joys. You strengthen things. 136 00:16:03,760 --> 00:16:04,439 Okay? 137 00:16:04,640 --> 00:16:08,800 So, the nice thing about the years is that you live things more calmly. 138 00:16:09,840 --> 00:16:14,000 I wasn't afraid, Constanza, of anything, then I wasn't afraid. 139 00:16:14,560 --> 00:16:16,319 Your generation is different. 140 00:16:16,319 --> 00:16:18,399 -You weren't afraid? - Oh, I wasn't afraid. 141 00:16:18,399 --> 00:16:23,039 -Weren't you afraid of time? -Time, the future? No. I wasn't afraid of time. 142 00:16:23,039 --> 00:16:27,600 I was not afraid of "will I have a job?, will I not...? Will I be able to do this or that...?" 143 00:16:27,600 --> 00:16:29,880 I thought that had to come by it's own. 144 00:16:30,159 --> 00:16:32,960 I remember I used to travel to Berlin. 145 00:16:32,960 --> 00:16:36,760 -You're like me then. -Yes, I am a little bit German, yes. 146 00:16:36,760 --> 00:16:38,319 You have your German ancestry 147 00:16:39,279 --> 00:16:41,319 And your German boyfriend, Ingo. 148 00:16:42,640 --> 00:16:44,800 -What was her name? -Her name was Sabine 149 00:16:49,119 --> 00:16:51,279 -Here, can you put that there for me? -Yes 150 00:17:22,439 --> 00:17:28,319 -Shit -A little further in, that's it, and now here and here. 151 00:17:28,720 --> 00:17:32,680 There, let it stick, that's it, and on the other side. 152 00:17:32,680 --> 00:17:36,600 Let it stick to the bar. Perfect. 153 00:17:47,159 --> 00:17:49,000 I can't 154 00:17:49,920 --> 00:17:51,880 Let me see, the glove makes it worse 155 00:17:51,880 --> 00:17:53,840 Brutally. 156 00:17:54,079 --> 00:17:56,680 One day, I'll bring a little pliers 157 00:17:56,680 --> 00:17:58,920 Because it is very tacky what I'm doing right now... 158 00:18:01,880 --> 00:18:03,199 What a shit... 159 00:18:06,720 --> 00:18:08,239 A silly unforeseen event... 160 00:18:11,399 --> 00:18:13,880 Let me see, let me see. Let me see, come. 161 00:18:16,199 --> 00:18:17,680 I knew it. 162 00:18:19,920 --> 00:18:21,399 What a downer. 163 00:18:22,319 --> 00:18:24,439 Sara is going to burst out laughing when she sees me. 164 00:18:25,520 --> 00:18:28,680 Dude, what have you done? What have you done? Well, I broke my tooth. 165 00:18:31,119 --> 00:18:33,760 -But wow... -Did it break very high? 166 00:18:33,760 --> 00:18:37,760 -No -How far has it gone? It hasn't reached the nerve right? 167 00:18:41,199 --> 00:18:44,119 -I'm freaking out, man. 168 00:18:45,880 --> 00:18:49,399 Look, I had to go to the dentist, now I can't leave more time. 169 00:18:52,119 --> 00:18:55,199 Look, it fits. 170 00:18:55,880 --> 00:19:00,119 It fits perfectly, I'll take it and if she can do something, she will. 171 00:19:27,920 --> 00:19:31,319 I know art through artists 172 00:19:31,319 --> 00:19:35,000 through colleagues who are artists, or through my job. 173 00:19:35,560 --> 00:19:39,640 Not because I am an artist, but because I am involved in this, because I am a sculptor. 174 00:19:39,640 --> 00:19:43,680 The difference that exists, or that I see 175 00:19:43,680 --> 00:19:47,720 between Bernini and Michelangelo, Bernini does not weigh 176 00:19:48,039 --> 00:19:51,520 -Bernini's work does not weigh... -Lightness 177 00:19:51,520 --> 00:19:54,439 -And the works of Michelangelo... -The opposite happens 178 00:19:54,439 --> 00:19:56,760 They weigh, you see them and it seems that... 179 00:19:56,760 --> 00:20:00,119 Even Michelangelo's cloths seem to weigh a lot 180 00:20:00,119 --> 00:20:04,880 It seems like you're going to grab your clothes, put them on, and not be able to walk. 181 00:20:04,880 --> 00:20:07,960 I don't see spirituality in Michelangelo 182 00:20:07,960 --> 00:20:11,239 May God forgive me, or may Michelangelo forgive me 183 00:20:11,239 --> 00:20:18,399 I don't see spirituality, I see the flesh, I see... I don't see spirituality in Michelangelo, I can't help it. 184 00:20:18,399 --> 00:20:22,880 I see the human being, I mean, he is very human, he is super human. 185 00:20:22,880 --> 00:20:28,079 That is what I think Rodin sees in Michelangelo. 186 00:20:28,079 --> 00:20:30,560 That excess of humanity. 187 00:20:30,560 --> 00:20:33,039 [Murmurs] 188 00:20:38,920 --> 00:20:45,399 Thirteen centimeters, and the other one a little higher. But we put both of them at the same level. 189 00:20:46,520 --> 00:20:48,479 And then we add volume. 190 00:20:48,960 --> 00:20:53,119 -It's thirty-five here. -Thirty-five, and if I raise it a little more... 191 00:20:55,840 --> 00:20:59,560 -Thirty-seven here, a little higher up -Let's leave it there 192 00:20:59,880 --> 00:21:07,319 Don't you sometimes have thoughts about doing things you shouldn't do but you really want to? 193 00:21:08,039 --> 00:21:10,359 Yes, many times. 194 00:21:10,520 --> 00:21:13,920 Something, in one context, for example, would be totally... 195 00:21:15,119 --> 00:21:16,479 Inappropriate 196 00:21:17,239 --> 00:21:21,479 or even actions that are... 197 00:21:22,920 --> 00:21:24,960 -Dangerous -Yes, they are criminals. 198 00:21:24,960 --> 00:21:27,199 Criminal, dangerous... 199 00:21:27,960 --> 00:21:30,840 A lot of times, but that's human, it's natural... 200 00:21:31,119 --> 00:21:36,039 We transgress everything, some people don't allow themselves, but I do, in my head I do. 201 00:21:36,039 --> 00:21:38,920 -You allow it in your head? -Of course, of course... 202 00:21:38,920 --> 00:21:43,159 If you don't dream you don't complete life, it's like you're missing something 203 00:21:43,159 --> 00:21:47,000 Why? Because that part that you say is transgressive, that we all have 204 00:21:47,000 --> 00:21:49,760 We complete it when we dream 205 00:21:49,760 --> 00:21:53,119 Rather than completing it, it's like freeing it, right? 206 00:21:53,119 --> 00:21:54,079 We make it free 207 00:21:54,079 --> 00:22:00,119 For me it is deeper, or it is truer... 208 00:22:00,119 --> 00:22:04,159 knowing your intimacy, rather than being in your intimacy. 209 00:22:06,680 --> 00:22:10,119 That's partly what I want to do with the piece. 210 00:22:19,039 --> 00:22:24,439 Hi Jose, how are you? I just left rehearsal. 211 00:22:24,439 --> 00:22:29,039 So, I think I won't be there until 6:30 212 00:22:29,039 --> 00:22:34,079 But anyway, I'll let you know, let's see if I can get there sooner. 213 00:22:37,760 --> 00:22:45,520 This is the life of the XY waiting for the XX 214 00:22:47,359 --> 00:22:49,640 Always, waiting 215 00:22:49,960 --> 00:22:52,239 Waiting, waiting 216 00:22:52,479 --> 00:22:54,760 I already, of course, at my age... 217 00:22:55,720 --> 00:22:57,880 I've gotten used to waiting. 218 00:22:57,880 --> 00:23:00,159 I neither get hot nor cold, I wait. 219 00:23:02,840 --> 00:23:05,119 220 01:23:08,960 --> 01:23:13,840 I have nothing more interesting to do than wait, right now. 221 00:23:16,239 --> 00:23:18,680 It's the most interesting thing I can do 222 00:23:18,680 --> 00:23:23,159 Since what comes next is worth it, we'll wait 223 00:23:32,000 --> 00:23:36,079 Her generation is always faced with the conflict of... 224 00:23:38,439 --> 00:23:40,880 What do I feel? 225 00:23:40,880 --> 00:23:44,079 What do I like? Women, men? Do I like everything? 226 00:23:45,079 --> 00:23:46,960 Do I like sado? 227 00:23:46,960 --> 00:23:50,560 Do I like shibari? Do I like bondage? 228 00:23:50,560 --> 00:23:53,720 Do I like being hit? Do I like being petted? 229 00:23:53,720 --> 00:23:57,720 They have some conflicts... some skin conflicts. 230 00:23:57,720 --> 00:24:02,720 and brutal emotional conflicts. 231 00:24:34,800 --> 00:24:39,359 -Hello Constanza -Hi, how are you? 232 00:24:40,600 --> 00:24:45,159 -How are you? Is everything okay? -Okay, sorry I'm late. 233 00:24:49,079 --> 00:24:51,399 Who do you think is the most beautiful person? 234 00:24:51,399 --> 00:24:53,239 You ask me and I will answer you 235 00:24:53,239 --> 00:24:56,319 -If I'm asking you -But ask me 236 00:24:56,319 --> 00:24:57,800 Who is the person...? tell me again 237 00:24:57,800 --> 00:25:00,079 Who is the person you think...? 238 00:25:00,079 --> 00:25:02,439 Well, I don't know... according to your parameters. 239 00:25:02,439 --> 00:25:04,880 A person you say... 240 00:25:04,880 --> 00:25:07,319 This is great beauty. 241 00:25:08,199 --> 00:25:12,000 -You -Don't tell me that, tell me the truth, seriously. 242 00:25:12,399 --> 00:25:13,680 Well you 243 00:25:13,680 --> 00:25:19,119 -Well, that's it, the game is over. -Of course, I'll tell you, you asked me and I'll answer you. 244 00:25:19,119 --> 00:25:20,920 It seems to be a short distance, right? 245 00:25:20,920 --> 00:25:25,640 There is no small distance, keep in mind that when you lower your chest it gets closer to your thigh. 246 00:25:25,640 --> 00:25:28,760 But your final buttock volume is missing 247 00:25:29,479 --> 00:25:32,600 When I lower my chest it moves away from my thigh 248 00:25:33,520 --> 00:25:36,239 Your chest is here, keep in mind that your chest ends there. 249 00:25:36,239 --> 00:25:39,359 But your chest is still higher, more towards here. It 's bigger. 250 00:25:39,359 --> 00:25:42,520 And lower. Right now what I'm doing is the structure. 251 00:25:42,520 --> 00:25:45,439 I'm not making the limit of the shape. 252 00:25:45,439 --> 00:25:50,159 Your body has much more volume... There is still very little volume yet. 253 00:25:52,439 --> 00:25:54,239 The one here is missing 254 00:25:54,239 --> 00:25:56,319 We mark there too 255 00:25:57,279 --> 00:25:59,479 We're marking here, aren't we? 256 00:26:00,920 --> 00:26:03,119 [Murmurs] 257 00:26:14,279 --> 00:26:17,159 Your hand and your arm 258 00:26:17,680 --> 00:26:21,119 Your tilt, your hip. 259 00:26:22,079 --> 00:26:25,239 I would have to lower that, and I think I'll be able to lower it now. 260 00:26:25,640 --> 00:26:28,960 If it comes out, it could even be interesting. 261 00:26:28,960 --> 00:26:31,840 But I have to prevent the structure from coming out. 262 00:26:42,239 --> 00:26:48,159 Have you seen...? The first time I saw Rodin's Eve 263 00:26:48,159 --> 00:26:51,880 It was at the Fine Arts Museum in Seville. I was still a student. 264 00:26:51,880 --> 00:26:54,359 There was a huge Rodin's exhibition there 265 00:26:54,359 --> 00:26:57,279 nothing like that had ever been done in Seville. 266 00:26:57,279 --> 00:27:00,520 And since I was such a big fan of Rodin, I went and saw it. 267 00:27:00,520 --> 00:27:03,840 - It was not allowed to touch the sculptures -You touched her 268 00:27:03,840 --> 00:27:06,800 Of course I touched them, I touched them all. 269 00:27:06,800 --> 00:27:10,279 The first thing I did was hug her, I swear 270 00:27:10,279 --> 00:27:11,680 Have you hugged a sculpture? 271 00:27:11,680 --> 00:27:15,119 Of course I have, I hugged Rodin's Eve 272 00:27:15,119 --> 00:27:17,079 I remember that I hugged her 273 00:27:17,079 --> 00:27:20,840 but because I was freaking out, I was freaking out 274 00:27:20,840 --> 00:27:24,479 It was a reference for me that I suddenly saw there And I hugged her. 275 00:27:24,479 --> 00:27:30,920 But it is very nice to see how reality changes when you see it in a different way. 276 00:27:30,920 --> 00:27:35,479 So if your view of reality changes, everything can be beautiful. 277 00:27:35,479 --> 00:27:40,359 This is not like: I talk to you but you don't really matter to me, what matters to me is what's behind it. 278 00:27:40,359 --> 00:27:41,439 That's not true 279 00:27:41,439 --> 00:27:43,840 I'm interested in you 280 00:27:43,840 --> 00:27:45,960 But beyond that you see... 281 00:27:45,960 --> 00:27:48,720 That there are certain friendships that are generated with a beauty 282 00:27:48,720 --> 00:27:52,840 That you wonder: where does this come from? Because I'm not making this come out. 283 00:29:27,399 --> 00:29:29,159 I enter the sculpture through its hand 284 00:29:29,359 --> 00:29:30,279 Okay? 285 00:29:30,279 --> 00:29:32,640 I enter the sculpture through its hand 286 00:29:32,640 --> 00:29:35,039 I come in here, I walk, I walk, I walk... 287 00:29:35,039 --> 00:29:36,920 I'm not interested in this arm 288 00:29:36,920 --> 00:29:37,840 I climb on the back 289 00:29:37,840 --> 00:29:39,720 I go through the hair, through back 290 00:29:39,720 --> 00:29:41,000 I go through the back 291 00:29:41,000 --> 00:29:43,479 I step over the line... 292 00:29:43,479 --> 00:29:44,760 along the line of her buttocks 293 00:29:44,760 --> 00:29:46,640 That is logically open as it is natural 294 00:29:46,640 --> 00:29:48,960 and from here I get down to that foot, and I escape 295 00:29:48,960 --> 00:29:51,439 Over there, I escape on that foot. 296 00:29:51,760 --> 00:29:55,359 At the front of the piece is the softness 297 00:29:55,359 --> 00:29:59,760 There is surrender, there is submission, perhaps 298 00:29:59,760 --> 00:30:02,720 and in the back is violence and aggression 299 00:30:02,720 --> 00:30:05,359 This is the... 300 00:30:05,359 --> 00:30:06,920 the obvious 301 00:30:07,680 --> 00:30:09,520 what confronts you with things. 302 00:30:09,520 --> 00:30:12,239 It's a first for something, for me. 303 00:30:12,239 --> 00:30:12,760 Okay? 304 00:30:12,760 --> 00:30:15,399 and that's... it's really a first time 305 00:30:15,760 --> 00:30:17,439 it provokes me 306 00:30:17,680 --> 00:30:20,079 insecurities 307 00:30:20,079 --> 00:30:24,239 Not artistically, it makes me feel insecure... 308 00:30:25,800 --> 00:30:27,600 Not existential either 309 00:30:27,600 --> 00:30:30,159 Yes, they can be existential 310 00:30:30,159 --> 00:30:33,640 and... almost daily insecurities 311 00:30:34,520 --> 00:30:36,600 Yes, everyday insecurities 312 00:30:36,600 --> 00:30:38,479 It's like the piece is already there... 313 00:30:38,479 --> 00:30:43,000 I haven't even started modeling yet and it's already present in every moment of my life 314 00:30:43,000 --> 00:30:44,520 and that seems to me 315 00:30:44,520 --> 00:30:47,520 interesting in the sense that I think I'll never 316 00:30:47,520 --> 00:30:50,640 It has happened to me in such an intense way 317 00:30:50,640 --> 00:30:53,399 with another piece that I have made previously. 318 00:31:07,000 --> 00:31:08,159 Straight 319 00:31:08,159 --> 00:31:10,640 Very straight, very straight, this way, this way 320 00:31:10,640 --> 00:31:12,840 I reach the buttock, I reach here the ischium 321 00:31:12,840 --> 00:31:14,800 And the ischium breaks a little bit 322 00:31:14,800 --> 00:31:18,199 And I enter the hip that is going to go down here 323 00:31:18,199 --> 00:31:24,039 I move on to what would be the volume of the rib cage and the muscles that remain above, right? 324 00:31:24,039 --> 00:31:27,239 Here I go out to the shoulder blade, and I reach the deltoid. 325 00:31:27,479 --> 00:31:28,840 Mother 326 00:31:29,439 --> 00:31:30,800 Mother? 327 00:31:30,800 --> 00:31:32,960 Hey, are you in class? 328 00:31:32,960 --> 00:31:35,520 No, I'm in the workshop 329 00:31:35,520 --> 00:31:38,640 Oh no, I'm not going to keep you at all. How are you? 330 00:31:38,640 --> 00:31:39,920 I'm good 331 00:31:39,920 --> 00:31:43,520 Are you okay? Are you more or less tired than the day before yesterday? 332 00:31:43,520 --> 00:31:46,640 Yes, no, the other day Sara and I had something 333 00:31:46,640 --> 00:31:48,760 But nothing happened, she was there 334 00:31:48,760 --> 00:31:53,720 Of course, but I could hear in your voice that you weren't 100%, son. 335 00:31:53,720 --> 00:31:57,640 Yeah, but we were fine, it's okay, sometimes we have to talk about things. 336 00:31:57,640 --> 00:32:00,239 But it's normal, but let's see 337 00:32:00,239 --> 00:32:02,479 I am far away, and I do not see you 338 00:32:02,479 --> 00:32:06,720 And I perceive that you look dejected, for whatever reason 339 00:32:06,720 --> 00:32:09,840 I get more worried than if I saw you, do you understand me or not? 340 00:32:09,840 --> 00:32:12,359 We will talk tonight Pepa Pérez, at night 341 00:32:12,359 --> 00:32:14,079 Okay, greet Agustin 342 00:32:14,079 --> 00:32:17,159 Yes, mua, mua, mua, see you later. Mua 343 00:33:48,439 --> 00:33:50,199 How much is one? 344 00:33:50,199 --> 00:33:51,520 At 1 euro each 345 00:33:51,520 --> 00:33:52,840 Oh really? 346 00:34:17,880 --> 00:34:19,119 Constanza I'm pissed off 347 00:34:19,119 --> 00:34:19,880 Are you angry? 348 00:34:19,880 --> 00:34:21,960 -Go inside now -I am very sorry 349 00:34:23,000 --> 00:34:25,479 I'm sorry, and I didn't write to you 350 00:34:25,479 --> 00:34:28,039 I thought something happened, I was about to call you. 351 00:34:28,039 --> 00:34:29,039 You are right 352 00:34:29,039 --> 00:34:30,880 -You're angry, aren't you? -Yes 353 00:34:30,880 --> 00:34:33,720 -I'm so sorry, you're right. -You haven't told me anything. 354 00:34:33,720 --> 00:34:37,000 Absolutely, you are absolutely right. Very sorry 355 00:34:37,000 --> 00:34:38,119 It's ok 356 00:34:38,119 --> 00:34:41,439 I also always arrive like 10 minutes late... terrible 357 00:34:41,439 --> 00:34:43,800 -You are absolutely right. -it's ok 358 00:34:43,800 --> 00:34:45,159 I hate being late 359 00:34:45,159 --> 00:34:48,720 What happens is that today I am full of energy to start 360 00:34:48,720 --> 00:34:51,359 But I should have told you. I'm so sorry. 361 00:34:52,000 --> 00:34:55,439 - Well, but you have arrived. -I'm here now. How are you? 362 00:34:55,439 --> 00:34:57,640 All good 363 00:34:57,640 --> 00:35:01,199 -Well, but we have all day, it's okay, right? -Yes, it's ok 364 00:35:01,199 --> 00:35:04,279 -I brought you something -Really? What? 365 00:35:04,279 --> 00:35:07,239 -Wait, I'll give it to you later -Oh okay, okay, perfect. 366 00:35:07,239 --> 00:35:11,800 -Close your eyes -Close my eyes? I already have them closed. 367 00:35:12,279 --> 00:35:17,039 Please, Constanza, where are you going? Give me a hug, okay? 368 00:35:17,039 --> 00:35:20,039 Let's put them in water, I don't know where 369 00:35:20,039 --> 00:35:21,359 Inside? 370 00:35:21,760 --> 00:35:23,840 But I think they don't fit here. 371 00:35:30,800 --> 00:35:34,600 The day the Reina Sofía award was presented 372 00:35:34,720 --> 00:35:38,520 That was in September 2021 373 00:35:40,239 --> 00:35:44,399 The idea of ​​giving flowers to the queen got into my head. 374 00:35:45,279 --> 00:35:48,279 I don't know, I got it into my head to give her a white flower. 375 00:35:48,279 --> 00:35:50,199 What should I do?, give it to her or not? 376 00:35:50,199 --> 00:35:54,479 I would call my mother, and I would ask my mother, How do you see it? 377 00:35:54,479 --> 00:35:56,359 "Look, she's a woman, Jose Manuel... 378 00:35:56,359 --> 00:36:00,239 ...after all, she is a woman, and she will like to be given a flower" 379 00:36:00,239 --> 00:36:03,920 So when the time came, I carried a little bag with the rose 380 00:36:03,920 --> 00:36:08,119 The security guards saw that I was handling the bag. 381 00:36:08,119 --> 00:36:10,000 They asked me what I had inside 382 00:36:10,000 --> 00:36:12,479 They told me I couldn't give anything to the queen 383 00:36:12,479 --> 00:36:15,439 I took out the rose and put it behind my room. 384 00:36:16,840 --> 00:36:19,279 And when he came to my sculpture, I gave it to her. 385 00:36:20,479 --> 00:36:21,920 I gave her the rose 386 00:38:52,399 --> 00:38:54,119 As there is no tensions anywhere 387 00:38:54,119 --> 00:38:58,159 I can't do anything without Constanza, She has to give me the tension 388 00:38:58,159 --> 00:39:03,279 I can't work with tension if I don't have her, It's a living hell 389 00:39:04,039 --> 00:39:06,560 I can't do anything right now without Constanza. 390 00:39:10,720 --> 00:39:13,239 I need Constanza 391 00:39:15,680 --> 00:39:19,319 This has just started, so there will be something today, okay? 392 00:39:19,319 --> 00:39:21,760 I hope there is something 393 00:39:23,239 --> 00:39:26,800 Don't tell me this is already cracking, indeed 394 00:39:27,439 --> 00:39:30,279 The other day, for example, watching her I said: "It looks bigger... 395 00:39:30,920 --> 00:39:32,359 that Constanza" 396 00:39:33,039 --> 00:39:37,560 But no, after I took measurements, it's not bigger You have that volume 397 00:39:37,840 --> 00:39:38,760 Yeah 398 00:39:38,960 --> 00:39:43,279 The other day we talked about how you were powerful 399 00:39:43,279 --> 00:39:47,399 You weren't, let's say, strong 400 00:39:47,399 --> 00:39:51,720 But you had power, presence in the body 401 00:39:51,720 --> 00:39:55,399 Well, that's what I want to continue today, simply. 402 00:40:07,760 --> 00:40:10,199 -Constanza, everything's okay, right? -Uhm 403 00:40:31,920 --> 00:40:35,880 Sometimes we live things that we are not aware of 404 00:40:35,880 --> 00:40:41,079 and we are fine without knowing that it makes us happy 405 00:40:41,560 --> 00:40:45,479 Sometimes you don't have to wonder if you're happy or not 406 00:40:45,479 --> 00:40:49,680 you just have to let everything flow 407 00:40:49,680 --> 00:40:53,000 and that's it, and don't ask yourself too many questions. 408 00:40:53,600 --> 00:40:55,319 How nice, Jose. 409 00:40:58,439 --> 00:41:00,600 Have you had a good meal, Constanza? 410 00:41:00,600 --> 00:41:02,279 I haven't eaten anything 411 00:41:02,279 --> 00:41:05,720 -Constanza, for God's sake, don't tell me that. -I didn't have time 412 00:41:07,600 --> 00:41:09,840 That needs to be fixed 413 00:41:12,880 --> 00:41:16,319 Constanza you can stop, stop now, stop please 414 00:41:18,319 --> 00:41:21,920 And please don't come fasting, tell me and I'll bring you food. 415 00:41:21,920 --> 00:41:24,319 And you eat here in 5 minutes. 416 00:41:27,600 --> 00:41:28,960 I have already eaten 417 00:41:29,840 --> 00:41:32,119 For dessert I had a pear yogurt 418 00:41:32,439 --> 00:41:33,239 Mmmm 419 00:41:33,239 --> 00:41:35,680 Pear yogurt, I mean I've eaten... 420 00:41:37,920 --> 00:41:40,159 Bolognese and pear yogurt 421 00:41:40,159 --> 00:41:41,920 How do you make bolognese? 422 00:41:41,920 --> 00:41:43,920 Shall I tell you? 423 00:41:44,199 --> 00:41:46,199 So I add minced meat 424 00:41:46,680 --> 00:41:52,000 -Turkey and chicken. I don't add ground beef -What? 425 00:41:52,000 --> 00:41:54,479 Chicken and turkey 426 00:41:55,399 --> 00:41:59,800 And I do it slowly, over low heat, so that it cooks, and doesn't burn underneath. 427 00:42:00,039 --> 00:42:01,760 And when I have that 428 00:42:03,279 --> 00:42:06,039 I add pepper 429 00:42:07,439 --> 00:42:10,560 and parsley, and salt, when the meat is already cooked 430 00:42:11,359 --> 00:42:13,600 In June, if you leave on the 14th 431 00:42:13,600 --> 00:42:15,840 You're going to pose day after day, huh? 432 00:42:18,039 --> 00:42:20,680 You are now going to stay with me for 2 days, here 433 00:42:21,199 --> 00:42:23,319 Wednesday, and Friday or Saturday 434 00:42:23,319 --> 00:42:27,479 Starting next week this week we are going to do it even if it is at the last minute 435 00:42:27,479 --> 00:42:33,399 I need us to do that so that in June we dedicate ourselves to taking the piece to madness 436 00:42:34,199 --> 00:42:37,159 But you in June, if you go to Bruges 437 00:42:37,159 --> 00:42:41,279 There will be days when you are here for a whole day and the next day again 438 00:42:41,279 --> 00:42:46,520 I'm not saying you shouldn't go but this week we will work for another 2 or 3 hours 439 00:42:46,520 --> 00:42:51,359 and next week I want Wednesday and a full day again 440 00:42:51,359 --> 00:42:52,359 Are you listening to me? 441 00:42:52,359 --> 00:42:53,680 I'm really messing things up 442 00:42:53,680 --> 00:42:56,520 Mess up all you want but listen Get it into your head. 443 00:42:56,520 --> 00:43:00,520 -What? -Next week it will be Wednesday and a full day, again 444 00:43:11,720 --> 00:43:13,119 Already looks like me 445 00:43:13,520 --> 00:43:14,840 Already looks like me 446 00:43:15,119 --> 00:43:16,640 and this is me too 447 00:43:16,640 --> 00:43:18,319 because you made the arm 448 00:43:18,319 --> 00:43:20,720 I have to raise this higher, You have more volume 449 00:43:20,720 --> 00:43:22,560 I see myself on the arm 450 00:43:22,560 --> 00:43:23,960 There's a little bit of you in there 451 00:43:23,960 --> 00:43:26,359 Where there is more of you is here over here 452 00:43:26,800 --> 00:43:28,880 Because it's where I've worked the most 453 00:43:28,880 --> 00:43:33,439 Well here you have made me some... impressive tracks 454 00:43:33,439 --> 00:43:36,479 Here, this, I have to soften it a little bit 455 00:43:36,479 --> 00:43:40,279 And this is still very dark here it's deep inside 456 00:43:40,279 --> 00:43:44,960 When I was little I also liked a lot things that were small and cozy 457 00:43:44,960 --> 00:43:50,199 Like... like Chinese spoons that are oval 458 00:43:50,199 --> 00:43:53,640 I tried to steal them when I was little I swear 459 00:43:53,640 --> 00:43:57,439 When I was 5 I took one in my parents' coat and I got caught. 460 00:43:58,760 --> 00:44:01,279 But not for the sake of stealing. She was just very cute. 461 00:44:01,279 --> 00:44:03,000 and I couldn't find it anywhere 462 00:44:03,000 --> 00:44:05,039 and it must be that I got a boost there 463 00:44:05,039 --> 00:44:08,640 The ones that are like this circular and then 464 00:44:08,640 --> 00:44:10,079 a little bit inward 465 00:44:10,079 --> 00:44:13,359 -Yes, but they are these ice cream spoons. -No 466 00:44:13,359 --> 00:44:15,399 The spoons of an Asian 467 00:44:15,399 --> 00:44:17,000 Those used to drink soup 468 00:44:17,000 --> 00:44:19,479 They have a stripe as a decoration 469 00:44:19,479 --> 00:44:22,000 They are white, and look like porcelain 470 00:44:22,000 --> 00:44:25,880 -or are made of porcelain -Ah! I know which one you're talking about. 471 00:44:25,880 --> 00:44:29,399 There was something about the spoon that made me feel very tender. 472 00:44:29,399 --> 00:44:31,680 I think it was the shape, or... 473 00:44:31,680 --> 00:44:34,279 I don't know when you eat from the spoon 474 00:44:34,279 --> 00:44:36,600 which gives a very strange but very cool feeling 475 00:44:36,600 --> 00:44:38,760 I don't spend much time on small things. 476 00:44:38,760 --> 00:44:40,880 They gave me so much tenderness... 477 00:44:41,159 --> 00:44:43,279 I wanted to take them all. 478 00:45:18,520 --> 00:45:19,920 What a wonder... 479 00:45:21,359 --> 00:45:23,119 What a wonderful thigh. 480 00:45:26,239 --> 00:45:27,119 What? 481 00:45:42,960 --> 00:45:45,079 I'm going to kill you with tobacco 482 00:45:51,399 --> 00:45:52,479 Take 483 00:45:54,840 --> 00:45:57,079 Thank you very much Jose Manuel 484 00:45:57,079 --> 00:45:58,840 Thank you 485 00:45:58,840 --> 00:46:00,960 Well then 486 00:46:01,960 --> 00:46:03,560 Let 's talk, okay? 487 00:46:03,560 --> 00:46:06,079 -No, but you have to tell me yes. -Okay, yes. 488 00:46:06,079 --> 00:46:08,600 Whether it's Friday or Saturday, 2 or 3 hours 489 00:46:08,600 --> 00:46:10,960 And the following week we go all out again. 490 00:46:10,960 --> 00:46:12,720 Wednesday, please 491 00:46:12,720 --> 00:46:14,600 Yes, yes, yes... I write to you 492 00:46:14,600 --> 00:46:15,720 Yes, yes, yes... 493 00:47:08,439 --> 00:47:10,760 What techniques do you have for flirting? 494 00:47:10,760 --> 00:47:12,560 I don't have any technique Constanza 495 00:47:12,560 --> 00:47:14,279 Everyone has a technique 496 00:47:14,520 --> 00:47:19,520 I mean, the first flirtation, the first approach How do you get someone's attention? 497 00:47:19,880 --> 00:47:24,119 What question do you ask her? or question, words or what gesture? 498 00:47:24,119 --> 00:47:26,079 I don't even remember 499 00:47:26,079 --> 00:47:29,479 No, seriously, I'm not kidding you. I don't remember what I did 500 00:47:30,079 --> 00:47:31,720 Well, what do you still do? 501 00:47:31,720 --> 00:47:32,800 I'm going for it 502 00:47:32,800 --> 00:47:34,920 I mean, I'm going... boom... straight away. 503 00:47:35,399 --> 00:47:39,800 You can't go straight if you don't test the waters, How do you test the waters? 504 00:47:39,800 --> 00:47:41,359 well, that shows 505 00:47:41,359 --> 00:47:44,319 in looks, in gestures, I don't know... things 506 00:47:44,319 --> 00:47:48,439 Then how do you send the message to the person? "I am interested in you" 507 00:47:48,439 --> 00:47:51,880 I talk little and do a lot But I'm not a flirt 508 00:47:51,880 --> 00:47:54,600 I've gotten just enough for my age 509 00:47:54,880 --> 00:47:57,000 But sometimes it is very clear 510 00:47:57,560 --> 00:47:58,960 It is always very clear 511 00:48:01,079 --> 00:48:03,000 I remember that once 512 00:48:04,159 --> 00:48:05,720 I flirted with an Argentinian 513 00:48:06,479 --> 00:48:08,319 That was fine, right? 514 00:48:08,319 --> 00:48:10,039 and she didn't take her eyes off me 515 00:48:10,039 --> 00:48:14,760 A guy next to me said: "She is looking at me." and I said: "stunned she's looking at me" 516 00:48:14,760 --> 00:48:16,199 "No, no, she's looking at me" 517 00:48:16,199 --> 00:48:19,039 Then something fantastic happened, she approached me. 518 00:48:19,039 --> 00:48:21,000 He started talking to me 519 00:48:21,000 --> 00:48:22,479 and turned around again 520 00:48:22,479 --> 00:48:27,560 And when the guy saw that at night, he had no chance of... 521 00:48:27,560 --> 00:48:30,159 He took the Argentine away from you? -He tried 522 00:48:30,159 --> 00:48:34,000 - What a shame -And I say, man, what are you doing? 523 00:48:34,000 --> 00:48:36,760 I told him: "go away" 524 00:48:36,760 --> 00:48:40,239 "What are you doing, buddy?" It made me angry, it was wrong 525 00:48:40,239 --> 00:48:43,199 -Normal -I thought it was very bad 526 00:48:57,800 --> 00:49:00,319 Head here and hip there, okay? 527 00:49:00,319 --> 00:49:05,760 Let's start with that, and then surely Constanza, we will turn it around, okay? 528 00:49:05,760 --> 00:49:08,720 the head here and the hip there 529 00:49:08,720 --> 00:49:12,800 we worked on this profile, and now we are going to work on the other 530 00:49:12,800 --> 00:49:15,439 and the back and of course this here. 531 00:49:16,600 --> 00:49:18,880 Come on, I'm going, right? Come on 532 00:49:18,880 --> 00:49:22,319 Today is going to be a very nice day, I already know that 533 00:49:50,159 --> 00:49:52,359 It's full 534 00:49:52,359 --> 00:49:55,079 They are already on their way to 3 weeks 535 00:50:06,000 --> 00:50:11,319 When I talk to you about landscape, Constanza I'm talking about detailed modeling. 536 00:50:11,319 --> 00:50:15,319 You have the powerful volume, which is what the piece is already starting to have. 537 00:50:15,319 --> 00:50:18,840 and then within each forceful volume there is 538 00:50:18,840 --> 00:50:21,880 small concavities, small convexities 539 00:50:21,880 --> 00:50:24,039 That's what's going to take me the longest. 540 00:50:24,159 --> 00:50:27,520 I also want to make way, to the touch 541 00:50:27,520 --> 00:50:32,399 so people looking at the piece, approach it and touch it, precisely because of that landscape 542 00:50:32,399 --> 00:50:34,159 Do you want people to touch it? 543 00:50:34,159 --> 00:50:36,359 Sure, I want them to touch it 544 00:50:37,359 --> 00:50:39,840 I'm going to smoke a cigarette 545 00:50:39,840 --> 00:50:44,479 Every cigarette you smoke is time you waste, without being with me 546 00:50:45,720 --> 00:50:47,359 What do I do then, not smoke? 547 00:50:47,359 --> 00:50:50,319 it's an incentive to quit, I'm just saying 548 00:52:15,319 --> 00:52:18,279 Let's see, just one second, very quickly. 549 00:52:20,680 --> 00:52:22,119 Yes, it is already done 550 00:52:32,800 --> 00:52:34,520 He has my cheek 551 00:52:34,520 --> 00:52:37,199 it has your cheeks but it's not you 552 00:52:37,199 --> 00:52:40,279 And I can't upload this any further, The chin 553 00:52:40,279 --> 00:52:43,079 Because it hits the structure, you know? 554 00:52:43,239 --> 00:52:46,000 How do you do the eye thing? 555 00:52:46,000 --> 00:52:51,439 Ah well... for me it's much easier to do it with my hands than with tools 556 00:53:03,840 --> 00:53:05,760 It's my favorite part of the day, too. 557 00:53:05,760 --> 00:53:09,600 Sit down and look over there, or stay as you prefer. 558 00:53:09,600 --> 00:53:11,000 You better turn your back 559 00:53:11,000 --> 00:53:14,159 Yes, but we didn't bring lotion 560 00:53:14,159 --> 00:53:17,119 Well the next day is brought 561 00:53:21,560 --> 00:53:22,520 Are you relaxed? 562 00:53:22,520 --> 00:53:23,479 Yeah 563 00:53:23,479 --> 00:53:24,920 Tilt your head forward a little. 564 00:54:14,079 --> 00:54:15,760 Has it relieved you? 565 00:54:15,760 --> 00:54:18,000 A lot. A lot. 566 00:54:18,000 --> 00:54:19,560 I liked it 567 00:54:29,239 --> 00:54:33,359 It makes me angry, eh? because I have 6 days left of work with Constanza 568 00:54:34,479 --> 00:54:36,399 I have very little time left 569 00:54:36,399 --> 00:54:39,880 with Constance, I hope to have enough time 570 00:54:50,479 --> 00:54:55,880 They are calm hands that have no movement intense nor important, but 571 00:54:55,880 --> 00:54:58,479 But they are the entrance to the sculpture 572 00:54:58,479 --> 00:55:00,279 and the feet are the way out 573 00:55:03,199 --> 00:55:05,359 I have to work them well 574 00:55:05,359 --> 00:55:08,880 I'm not going to take them to extreme realism, I'm not interested 575 00:55:09,720 --> 00:55:12,439 neither hands nor feet to extreme realism 576 00:55:13,279 --> 00:55:16,840 But they have to be well fitted and well... 577 00:55:17,520 --> 00:55:21,760 positioned, with the gesture that corresponds to them 578 00:55:24,359 --> 00:55:30,119 Hands are important because they are the entrance, You enter the sculpture through the hands 579 00:55:42,119 --> 00:55:43,880 Constanza, come in. 580 00:55:46,399 --> 00:55:48,840 You look very different dressed like that 581 00:55:48,840 --> 00:55:50,880 Yes, because I'm comfortable 582 00:55:51,560 --> 00:55:54,720 -How are you? -Constancita, everything is fine, how are you? 583 00:55:54,720 --> 00:55:55,760 Good 584 00:55:56,680 --> 00:55:58,439 They're bigger than mine, huh? 585 00:55:58,439 --> 00:56:02,359 No, look, give me your hand, come on, give me your hand 586 00:56:05,079 --> 00:56:06,039 How cute! 587 00:56:06,039 --> 00:56:09,760 The thing is that now you would have to put each finger in its place. 588 00:56:09,760 --> 00:56:11,760 The position of the hands, okay? 589 00:56:11,760 --> 00:56:14,760 You don't need the back part, right? 590 00:56:14,760 --> 00:56:16,920 But your hand was further ahead 591 00:56:16,920 --> 00:56:19,239 Your left hand was further away from your head 592 00:56:19,239 --> 00:56:21,960 -There? -Yes, there yes 593 00:56:21,960 --> 00:56:24,520 -Are you okay there? -Yeah 594 00:56:36,840 --> 00:56:40,079 The wrist was, let's say, just there. 595 00:56:40,079 --> 00:56:43,000 I have to weld it oriented 596 00:56:43,000 --> 00:56:44,439 a little bit down 597 00:57:19,640 --> 00:57:23,840 -it looks sticky -Perfect 598 00:57:27,760 --> 00:57:31,159 Wow! With all your paw, how is it? 599 00:57:33,880 --> 00:57:36,680 Constanza, today has been a very hard day for me. 600 00:57:36,680 --> 00:57:39,960 The hardest day since I started sculpting 601 00:57:43,039 --> 00:57:45,319 But I finish the hands 602 00:57:46,760 --> 00:57:51,159 Oh my God! Don't laugh anymore, You're always laughing at me 603 00:57:51,159 --> 00:57:54,319 -Oh, Constancita! -You make me laugh a lot 604 00:57:54,319 --> 00:57:55,680 Ouch! My back hurts! 605 00:57:55,680 --> 00:57:57,439 Where? At what altitude? 606 00:57:57,439 --> 00:57:58,600 Towards the other side 607 00:57:58,600 --> 00:57:59,560 This way? 608 00:57:59,560 --> 00:58:00,840 -No -Over there? 609 00:58:00,840 --> 00:58:03,039 Here, here it hurts me 610 00:58:03,039 --> 00:58:06,640 Does it really hurt? Where here? 611 00:58:06,640 --> 00:58:08,920 -Yeah -So tell them to give you something. 612 00:58:08,920 --> 00:58:10,520 My mother gave me 613 00:58:44,760 --> 00:58:47,000 Are you OK? 614 00:58:47,000 --> 00:58:48,119 Are you very sad? 615 00:58:48,119 --> 00:58:49,399 No 616 00:58:52,000 --> 00:58:54,199 Smile Constanza, smile 617 00:58:55,359 --> 00:58:58,560 No but Constanza, natural To the other side 618 00:58:59,359 --> 00:59:02,279 The face like this, like this You look prettier this way 619 00:59:02,279 --> 00:59:07,960 - The sculpture is going to miss me a lot - Of course, and I'm going to miss you too 620 00:59:21,960 --> 00:59:25,119 Constanza, I need you to be well-off, that's what I need. 621 00:59:25,119 --> 00:59:29,279 -I took the paper from you, maybe you were used to it - It doesn't matter 622 00:59:29,279 --> 00:59:32,920 I need you to put, not that foot, but the outside foot yes 623 00:59:33,279 --> 00:59:36,920 Let's work with sex and the sacrum, now 624 00:59:57,079 --> 01:00:02,399 It's very difficult to get that out as yours 625 01:00:02,399 --> 01:00:05,720 Here is a tiny fold that I have to make 626 01:00:05,720 --> 01:00:07,760 That little fold that I haven't made 627 01:00:07,760 --> 01:00:09,319 I can't do it 628 01:00:09,319 --> 01:00:12,479 Because i can't now, I can't 629 01:00:12,479 --> 01:00:15,199 This little fold is the one I have to make 630 01:00:15,199 --> 01:00:17,560 An outstanding one there 631 01:00:17,560 --> 01:00:20,560 There, I have to do that, that fold 632 01:00:24,079 --> 01:00:26,039 And that's it, it's almost over. 633 01:00:26,039 --> 01:00:29,920 I'm not interested in that naturalism... I'm interested in the volume 634 01:00:29,920 --> 01:00:32,640 and it has it The piece has what I wanted, it has 635 01:00:32,640 --> 01:00:36,800 your volume and power, the power, yours 636 01:00:36,800 --> 01:00:40,159 Yesterday I was thinking about it 637 01:00:40,159 --> 01:00:44,399 This morning I woke up like happy because we are finishing 638 01:00:44,399 --> 01:00:47,359 and on the other hand I say, What a pity, right? 639 01:00:47,359 --> 01:00:50,720 The sculpture has a lifetime left 640 01:00:50,720 --> 01:00:53,399 We could keep working all our life 641 01:00:53,399 --> 01:00:55,760 but for what? 642 01:00:55,760 --> 01:00:57,079 No? 643 01:00:57,079 --> 01:00:58,680 finish things for what? 644 01:00:58,680 --> 01:01:00,479 You also have to know how to close things 645 01:01:00,479 --> 01:01:02,239 Sure, yes, yes 646 01:01:03,319 --> 01:01:06,000 But anyway, in the end the light is what 647 01:01:06,000 --> 01:01:07,800 decides to end 648 01:01:07,800 --> 01:01:11,600 I mean if the light goes out, the sculpture is finished 649 01:01:11,600 --> 01:01:15,079 No, but not to continue with cheap poetry 650 01:01:15,079 --> 01:01:17,680 But because it really is how it has to be. 651 01:01:17,680 --> 01:01:18,800 You are leaving 652 01:01:18,800 --> 01:01:21,119 you leave, and the piece stops 653 01:01:21,119 --> 01:01:22,359 stops and... 654 01:01:22,359 --> 01:01:25,079 and has its freedom with me 655 01:01:25,079 --> 01:01:27,159 I have been tied to you 656 01:01:27,159 --> 01:01:28,760 for a long time 657 01:01:28,760 --> 01:01:31,159 And now it's my turn to separate from you 658 01:01:32,319 --> 01:01:33,920 I know it has to end now. 659 01:01:33,920 --> 01:01:36,399 Of course, it has to end. 660 01:01:36,399 --> 01:01:39,520 It has to end now, it's the best time. 661 01:01:39,520 --> 01:01:41,000 - Yes... - Of course 662 01:01:41,000 --> 01:01:43,000 Beginning of summer... it's perfect 663 01:02:13,960 --> 01:02:15,760 I have to finish this... 664 01:02:15,760 --> 01:02:18,079 Constanza... Constanza! 665 01:02:21,600 --> 01:02:22,600 Oops! 666 01:02:39,640 --> 01:02:42,760 When life covers me 667 01:02:42,760 --> 01:02:46,600 Behind a curtain of years 668 01:02:46,600 --> 01:02:49,520 They will live in full bloom 669 01:02:49,520 --> 01:02:52,840 loves and disappointments 670 01:02:53,039 --> 01:02:55,880 I want to be buried 671 01:02:55,880 --> 01:02:58,960 like my ancestors 672 01:02:59,439 --> 01:03:02,199 I want to be buried 673 01:03:02,199 --> 01:03:05,159 like my ancestors 674 01:03:05,159 --> 01:03:08,399 in the dark and cool belly 675 01:03:08,399 --> 01:03:11,279 from a clay pot 676 01:03:11,720 --> 01:03:14,279 in the dark and cool belly 677 01:03:14,720 --> 01:03:17,800 from a clay pot 678 01:04:06,119 --> 01:04:08,279 Neme! 679 01:10:09,399 --> 01:10:11,279 It hasn't broken, no 680 01:10:11,279 --> 01:10:14,279 Good thing, now I'll see if it's broken